Palladio
and his Books
In
addition to his achievements as an architect, ANDREA
PALLADIO (1508-1580) was an accomplished
author and illustrator. He wrote three best-selling books and provided
illustrations for new editions of three books written by others.
Several collections of his drawings have also been published, as
well as one example of his correspondence.
-
Andrea
Palladio
I quattro libri dell'architettura
Venice: Dominico de' Francheschi, 1570
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Andrea Palladio's literary masterwork, Four Books
on Architecture, profoundly affected Western architecture
both in its original Italian and in translation, including
editions in Spanish, French, English, German, Russian,
Swedish, Polish, Romanian and Czech.
At least 23 partial or complete English language editions
were available to American builders, architects and
their patrons prior to the American Revolution. Several
of them, notably the Leoni/Dubois editions, altered
Palladio's original text and illustrations in material
ways which impacted subsequent British and American
Palladianism.
The
creation of Four Books was a long-term project.
Palladio had begun work on it by 1555, the year Anton
Francesco Doni mentions it in La seconda libraria
del Doni (Venice, 1555) as a work in progress.
The work is referred to again by Daniele Barbaro in
his 1556 edition of Vitruvius' Ten Books on Architecture
and by Giorgio Vasari in his 1568 edition of Lives
of the Most Excellent Painters, Sculptors and Architects.
The archives of the Correr Museum in Venice hold a manuscript
from the 1561-1565 period with major segments of Books
1-3.
The
work was first brought forward in 1570 as two volumes,
Two Books on Architecture and Two Books on
Antiquities, but was quickly reorganized as a unified
Four Books.
Although
Four Books gave rise to the phenomenon of Palladianism
across Europe and America, Palladio's own constructed
works in the Veneto region of Italy have always impressed
visitors. 'All of Palladio's works are lighter
than in the drawings,' the English architect Inigo Jones
wrote when he visited in 1610. Almost a century
later, the director of the French Academy in Rome shared
that view. 'Although Palladio's book is well printed,
his works, when viewed in the original, give a different
impression,' he observed. |
English
language editions |
- Godfrey
Richards
The First Book of Architecture by Andrea
Palladio: translated out of the Italian with diverse other designes
necessary to the art of well building
London: John Macock, 1663
| |
A translation of only Book 1 of Palladio's
work, dealing primarily with the Orders of architecture.
Descriptions of certain English construction techniques
are included. The illustrations are taken from Pierre
Le Muet's partial French translation of Book 1 (Paris:
Langlois, 1645; reprint 1647).
The
Richards work was reprinted in eleven subsequent editions,
all in London: John Macock, 2nd ed. 1668; N. Simmons,
3rd ed. 1376; T. Passenger, 4th ed. 1683; T. Parkhurst,
5th ed. 1693; T. Braddyl and E. Tracy, 6th ed. 1700;
7th ed. 1708; Eben. Tracy, 8th ed. 1716; H. Tracy, 9th
ed. 1721; S. H. and H. T., 10th ed. 1724; Edw. Midwinter,
11th ed. 1729; A.
Bettesworth and C. Hitch, et al., 12th ed. 1733.
|
- Giacomo
Leoni, editor; translation by Nicholas Dubois; frontispiece
by Sebastiano Ricci; engravings by Bernard Picart, Michael Vandergucht,
John Harris and John Cole
The Architecture of A. Palladio, in
Four Books
London: John Watts, 1715-1720
| |
The
English translation is accompanied by two separate volumes,
one with the original Italian text and the other with
an amended version of Fréart de Chambray's French
translation (1650). Leoni changed Palladio's original
illustrations by introducing 'many necessary Corrections
with respect to Shading, Dimensions, Ornaments, &c.'
In
promoting his own competing translation in 1737, Isaac
Ware accurately observed that Leoni 'thought fit not
only to vary from the scale of the originals, but also
in many places to alter even the graceful proportions
prescribed by [Palladio], by diminishing some of his
measures, enlarging others, and putting in fanciful
decorations of his own. . . .'
Ware
could have added three other complaints. Leoni
states that the text is "translated from the Italian
original," when in fact it was translated from
a French edition; the frontispiece said to be based
on a painting by Palladio's contemporary Paolo Veronese
is actually an original eigthteenth-century concoction
by Sebastiano Ricci; and the engravings said to be by
Amsterdam artist Bernard Picart although only 36 of
them are his work..
Leoni,
who was--like Palladio--a native of the Veneto region
of Italy, came to England to be in the employ of Henry,
Duke of Kent, after previously serving as architectural
advisor to the Palatine Elector in Düsseldorf.
One scholar has speculated that Leoni may have been
invited to England for the specific purpose of creating
an English edition of Palladio's Four Books. |
- Giacomo
Leoni, editor; translation by Nicholas Dubois; frontispiece
by Sebastiano Ricci; engravings by Bernard Picart and others
The Architecture of A. Palladio
London: Giacomo Leoni, 2nd ed. 1721
| |

The
Leoni/Dubois 1721 edition is a reprint of the English
language volume of their original 1716-1720 edition.
|
- Colen
Campbell, editor
Andrea Palladio's First Book of Architecture
London: Samuel Harding, 1728
| |
Book 1 of Palladio's work, dealing primarily
with the Orders of architecture. The illustrations
accurately reproduce the plates from Palladio's Four
Books, but the text is a revision of the translation
prepared by Nicholas Dubois for Giacomo Leoni's 1715-1720
edition. |
- Colen
Campbell, editor; engravings by Paul Fourdrinier and Benjamin
Cole
Andrea Palladio's Five Orders of Architecture
London: Samuel Harding, 1729
| |
A reprint of the Campbell 1728 edition
with a new title and five additional plates of Campbell's
own designs. |
- Edward
Hoppus, editor; engravings by Paul Fourdrinier, Benjamin Cole
and Isaac Ware
Andrea Palladio's Architecture, in
Four Books . .
. and embellish'd with a large variety of chimney pieces collected
from the works of Inigo Jones and others
London: Benjamin Cole, 1735
| |
A plagiarization of Book 1 from the Campbell
edition, Books 2, 3 and 4 from the Leoni edition, and
additional plates from Isaac Ware's Designs of Inigo
Jones and Others (1931). First appeared in parts,
1733-1734.
Writing two years later in support of his own translation,
Isaac Ware commented that the Hoppus work was 'done with
so little understanding, and so much negligence, that
it cannot but give great offense to the judicious, and
be of very bad consequence in misleading the unskilful,
into whose hands it might happen to fall.'
|
- Edward
Hoppus, editor; engravings by Paul Fourdrinier, Benjamin Cole
and Isaac Ware
Andrea Palladio's Architecture, in
Four Books . . . and embellish'd
with a large variety of chimney pieces collected from the works
of Inigo Jones and others
London: Benjamin Cole and John Wilcox, 1736
| |
A slightly expanded reprint of the Hoppus
1735 edition. |
- Isaac
Ware, editor and translator
The Four Books of Andrea Palladio's
Architecture
London: Isaac Ware, [1737] 1738
| |
The most accurate English translation of Palladio's
Italian original available for more than 250 years.
Ware's engraved illustrations, however, are reversed
mirror images of Palladio's woodcut originals.
In
dedicating the edition to Richard Boyle, third Earl
of Burlington and fourth Earl of Cork, Ware credits
the earl with having personally taken the trouble to
revise the translation. |
- Isaac
Ware, editor and translator
The First Book of Andrea Palladio's
Architecture
London: Isaac Ware, 1742
| |
A
reprint, in a larger format edition, of Book 1 from Ware's
complete 1738 edition. |
- Giacomo
Leoni, editor; translation by Nicholas Dubois; frontispiece
by Sebastiano Ricci; engravings by Bernard Picart, Michael Vandergucht,
John Harris and John Cole
The Architecture of Andrea Palladio
in Four Books. . . With notes and remarks of Inigo Jones . .
. and also an appendix, containing the antiquities of Rome
London: A. Ward, S. Birt, D. Browne, C. Davis,
T. Osbourne and A. Millar, 1742
| |
A
reprint of the Leoni/Dubois edition supplemented by Inigo
Jones' marginalia from his personal copy of I Quattro
Libri dell'Architettura, as well as Andrea Palladio's
Le antichitą di Roma and Discourse on the Fires
of the Ancients. |
- Isaac
Ware, editor and translator
The Four Books of Andrea Palladio's
Architecture
London: Isaac Ware, 1755
| |
A
reprint of Ware's 1738 edition. |
- William
Halfpenny, John Halfpenny, Robert Morris, and Thomas Lightoler;
Colen Campbell, editor
The Modern Builder's Assistant, or,
A Concise Epitome of the Whole System of Architecture
London: Robert Sayer, [1757]
| |
Notwithstanding
its title, the book is a reprint from Colen Campbell's
1729 edition of Book 1 of Palladio's Four Books
(the seven chapters on the Orders). Also included
is a group of architectural designs by William and John
Halfpenny, William Morris and Thomas Lightoler.
A second edition was published later the same year by
James Rivington, J. Fletcher and Robert Sayer.
Curiously,
six years earlier William Halfpenny was the author of
a treatise which, despite being on the subject of perspective,
was published under the title Andrea Palladio's First
Book of Architecture, corrected from his original edition
printed at Venice, 1581 [sic], wherein is pointed
out the various mistakes and contradictions between
the chapters and the figured draughts (London: J.
Brindley and R. Sayer, 1751). |
- Isaac
Ware, editor and translator
Andrea Palladio: The Four Books of
Architecture
New York: Dover Publications, 1965
| |
A
facsimile of Isaac Ware's 1738 edition, with an introduction
by A. K. Placzek. |
- Robert
Tavernor and Richard Schofield, editors and translators
Andrea Palladio: The Four Books on
Architecture
Cambridge: MIT Press, 1997
| |
The first new English translation of I
quattro libri dell'architettura in more than 250 years.
|
- Andrea
Palladio
Le antichitą di Roma . . . raccolta brevemente
da gli autori antichi, & moderni, nuovamente posta in luce
Rome: Vincentio Lucrino, 1554
| |

Palladio's
The Antiquities of Rome . . . , a guide to Rome's
classical ruins, was reprinted in more than thirty editions
over the next 200 years. |
- Andrea
Palladio
Descritione de le chiese, stationi, indulgenze
& reliquie de Corpi Santi, che sono in la cittą de Roma
Rome: Vincentio Lucrino, 1554
| |

Palladio's
Description of the . . . churches of Rome was published
as a guide for religious pilgrims to the city. |
- Vitruvius;
translation and commentary by Daniele Barbaro; illustrations by
Andrea Palladio
I dieci libri dell'architettura di M.
Vitruvio, tradutti et commentati da Monsignor Barbaro, eletto
Patriarca d'Aquileggia
Venice: Francesco Marcolini, 1556
| |

Palladio provided the illustrations for Daniele Barbaro's
commentary on Vitruvius' De architettura libri decem
[Ten Books on Architecture]. Barbaro was Palladio's friend
and, with his brother, patron of Palladio's Villa Barbaro
in Maser. |
- Martino
Bassi, with correspondence from Giovanni Battista Bertani, Andrea
Palladio, Giorgio Vasari and Giacomo Vignola
Dispareri in materia d'architettua, et
perspectiva, con pereri di eccellenti et famosi architetetti,
che li risolvono
Bressa: Francesco, & Pie, 1572
| |
Bassi's
Diverse views in matters of architecture and perspective,
with opinions of excellent and famous architects who address
them includes correspondence from four prominent architects
of the period whose views Bassi had solicited to support
his own position in a controversy involving Milan Cathedral.
Palladio's letter, written after consultation with Giuseppe
Salviati and Silvio de Belli, is dated 3 July 1570. |
- Julius
Caesar; edited by Andrea Palladio; illustrations by Leonida and
Orazio Palladio; translation by Francesco Baldelli
I commentari di C. Giulio Cesare, con
le figure in rame de gli alloggiamenti, de' fatti d'arme, delle
circonvallazioni delle cittą, e di molte altre cose notabili,
descritte in essi
Venice: Pietro De' Franceschi, 1575
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The
book, in Palladio's words, 'with great expense and application
illustrated all the military dispositions of the Romans
as extracted from the Commentaries of Julius Caesar.'
Palladio states in the Preface that his sons Leonida
and Orazio, who both died in 1572, drew the images for
the engravings. Palladio obtained a 15-year privilegio,
or copyright, protecting his rights in the book.
Palladio
used as the text of the book a translation into Italian
by Francesco Baldelli which had been published by Gabriele
Giolito in 1553. |
- Polybius;
illustrations by Andrea Palladio
Historia
Mss. 1578
| |
Palladio
prepared forty-three illustrations for a new edition of
Polybius' History. Polybius was a third century
Greek historian. Palladio's volume was never published,
presumably because of his death in 1580, but in 1977 a
manuscript copy of Palladio's introduction and engravings,
with annotations in Palladio's handwriting, turned
up in the British Library, inserted
into a 1564 edition of Polybius (which King George III
had purchased from Joseph Smith, his former consul in
Venice).
A
second copy of the same material surfaced in 1986 in the
stock of a Florentine bookdealer, this time with handwriting
of Palladio's son Silla and the text of Palladio's September
1579 letter of dedication to Francesco de' Medici, Grand
Duke of Tuscany. |
- Andrea
Palladio; Richard Boyle, third Earl of Burlington and fourth Earl
of Cork, editor; engravings by Paul Fourdrinier
Fabbriche Antiche, disegnate da Andrea
Palladio Vicentino
London: [Burlington], c. 1735-1740 (sic: 1730)
| |
Burlington
intended his Ancient Buildings to be the first of
two volumes of Palladio drawings from his personal collection,
but the sequel never appeared. Alexander Pope's famous poem
'Epistle to Richard Boyle, Earl of Burlington' (1732), was
originally created to appear in this volume but was ultimately
published separately. |
- Andrea
Palladio; Charles Cameron, editor
The Baths of the Romans, explained and
illustrated, with restorations of Palladio corrected and improved
London: S. Leacroft and J. Mathews, 1772
| |
An
enlarged and revised edition of Boyle's earlier Fabbriche
Antiche, with the text in English and French.
Cameron later found fame as chief architect to Empress
Cartherine the Great of Russia. |
- Andrea
Palladio; Douglas Lewis, editor
The Drawings of Andrea Palladio
Washington, D. C.: International Exhibitions Foundation,
1981;
enlarged and rev. ed., New Orleans: Martin & St. Martin, 2000
| |
The enlarged and revised edition of this
comprehensive survey of Palladio drawings was published
with support from the Center for Palladian Studies in America,
Inc. |
Sources: Charles
Hind and Irena Murray, Palladio and His Legacy: A Transatlantic
Legacy (Venice: Marsilio Editori, 2010); Guido Beltramini and
Howard Burns, editors, Palladio (London: Royal Academy of
Arts, 2008); Guido Beltramini, Howard Burns, et al., Palladio
and Northern Europe: Books, Travellers, Architects (Milan: Skira,
1999); Charles Brownell, ''Necessary Corrections' to Four Books
Continue to Distort Palladian Legacy,' Palladiana: Journal of
the Center for Palladian Studies in America, Inc., 3:1 (Fall
2008), pp. 2-5; Charles Brownell, 'Lord Burlington and Palladio's
drawings of the baths of Rome,' Palladiana: Journal of the Center
for Palladian Studies in America, Inc., 2:1 (Fall 2007), pp.
6-7; John R. Hale, Renaissance War Studies (London: Hambleton,
1983); Eileen Harris, British Architectural Books and Writers
1556-1785 (Cambridge: Cambridge University Press, 1990; Robert
Tavernor and Richard Schofield, Andrea Palladio: The Four Books
on Architecture (Cambridge: MIT Press, 1997); Rudolf Wittkower,
Palladio and English Palladianism (New York: Thames and Hudson,
1974).
© 2009, 2010
Center for Palladian Studies in America, Inc.
C. I. G.
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