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Palladio
and his Career |
Year |
Related
Publications and Events |
|---|---|---|
|
|
1414 |
Poggio
Bracciolini discovers at the monastic library of St. Galen in
Switzerland a medieval manuscript copy of De
architectura, a treatise written by the Roman architect
Vitruvius in the first century A.D. |
![]() Leon Battista Alberti |
1452 |
Leon Battista Alberti, De re aedificatoria [Ten books on architecture] (Florence), published posthumously. |
| |
1483 |
Vitruvius, De architectura libri decem [Ten books on architecture] (Rome: Fra Giovanni Sulpitius, 1st printed ed.). |
| Andrea
di Pietro dalla Gondola [Andrea, son of Pietro of the gondola],
later to be known as Andrea Palladio, is born in Padua on 30
November, St. Andrea's Day. His godfather is Vincenzo
Grandi, a Vicenza sculptor who also worked in Padua. |
1508 |
![]() Andrea Palladio |
| |
1511 |
Vitruvius, De architectura, (Venice: 1st illustrated ed.). Edited by Fra Giovanni Giocondo, who probably supplied the illustrations.. |
| Andrea
is apprenticed to Bartolomeo Cavazza, a stonecutter in Padua. |
1521 |
Vitruvius, De architectura (Como: 1st Italian ed.). Translation and commentary primarily by Cesare Cesariano. |
| Andrea
breaks his apprenticeship contract and moves to Vicenza to join
his family, which has moved there. Cavazza brings him back to
Padua. |
1523 |
|
| Andrea
parts with Cavazza and enrolls in Vicenza guild of stonemasons.
He trains under Giovanni da Porlezza, an architect-builder,
and Girolamo Pittoni, a sculptor, who together own the Pedemuro
workshop. |
1524 |
Alvise Cornaro constructs in the courtyard of his palace in Padua a loggia designed by Giovanni Maria Falconetto in the all'antica style. |
![]() Vincenzo Catena: Giangiorgio Trissino |
1527 |
Rome is sacked by forces of the Holy Roman Emperor. Several prominent figures relocate from Rome to the Veneto, including sculptor-architect Jacopo Sansovino to Venice; architect Micheli Sanmicheli to Verona and Venice, architect-writer Sebastiano Serlio to Venice, and literary figure Giangiorgio Trissino to Vicenza. |
| 1531 |
The Pedemuro workshop, commissioned by Francesco Godi, erects a portal with classical elements for the church of Santa Maria dei Servi, near the central piazza of Vicenza. | |
| Andrea
marries Allegradonna, the daughter of a carpenter. Her
dowry is provided by Angela Poiana, a Venetian noblewoman in
whose household she served. They will have five children:
Leonida (an architect who worked with his father), Marc'antonio
(who worked with the sculptor Alessandro Vittoria in Venice),
Orazio (who studied law in Padua), Zenobia (wife of a goldsmith
in Vicenza) and Silla (who, as secretary of the Accademia Olimpico,
supervised completion of the Teatro Olimpico in Vicenza, after
his father's death). |
1534 |
|
The
Pedemuro workshop executes the high altar of the cathedral
of Vicenza, with a combination of classical and Venetian
elements, possibly to Palladio's design. |
1534-1536 |
|
| The Pedemuro
workshop installs a classical doorway, probably to Palladio's
design, for the Domus Comestabilis in Vicenza, leading
from the Basilica to the residence of the Venetian podestà
[governor]. |
1536 |
|
Andrea
probably meets Giangiorgio Trissino for the first time while
the Pedemuro workshop is working on Trissiono's villa at Cricoli. |
1536-1537 |
Giangiorgio Trissino rebuilds his villa in Cricoli, outside Vicenza, afterSebastiano Serlio's drawing of an alternative garden façade which Rafael had designed for Villa Madama in Rome. |
| Andrea
leaves the Pedemuro workshop but receives through them his first
major commission, to design Villa Godi in Lonedo di Lugo. |
1537 |
Sebastiano Serlio, General rules on architecture [Fourth Book on architecture] (Venice). The first volume published in a projected series of seven. |
| 1538 |
Jacopo Sansovino works on the upper gallery of the cathedral in Vicenza. | |
| Andrea moves temporarily to Padua with Giangiorgio Trissino. While there he meets Alvise Cornaro, likely sees in construction the Bastion Cornaro designed by Michele Sanmicheli, and may meet his future patrons Giorgio Cornaro and Daniele Barbaro, who are both present there at that time. Andrea returns briefly from Padua to Vicenza in February 1539 to attend a theatrical performance staged in a wooden theater designed by Sebastiano Serlio for the courtyard of Palazzo Colleoni Porto, which influenced the subsequent founding of the Accademia Olimpica. |
1538-1540 |
![]() |
| Andrea
for the first time appears in some documents as 'Palladio' and
begins to use the title architect. |
1540 |
Sebastiano Serlio, Delle Antichità [Third book on architecture] (Venice). |
| Palladio
designs Palazzo Civena in Vicenza. |
Torello Sarayna, De origine et amplitudine civitatis Veronae (Venice), a book on Verona antiquities. | |
| Palladio
visits Rome for the first time, from early in the year until
autumn, accompanied by Giangiorgio Trissino. |
1541 |
Serlio moves to Fountainbleau as a consultant to the French king. |
| Palladio designs Villa Valmarana at Vigardolo |
||
Palladio
designs Villa Gazzotti in Marcello Curti in Bertisima
with his first templ- style pediment. |
![]() Villa Gazzotti |
|
| 1541-1542 |
Michele Sanmicheli visits Vicenza for consultation on the Basilica, staying with Giovanni da Porlezza of the Pedemuro workshop. | |
| Palladio designs Villa Pisani at Bagnolo, his first commission for a patrician family of Venice. |
1542 |
|
![]() Titian: Giulio Romano |
Giulio Romano visits Vicenza as a paid consultant for the Palazzo della Ragione (Basilica) project. | |
Palladio
begins designing Palazzo Porto in Vicenza. |
||
| Palladio
performs his first public commission as Vicenza's city architect.
With support from Giangiorgio Trissino, Palladio constructs
a temporary architectural stage set with triumphal arches and
pediments in the all'antica style to celebrate the arrival
into Vicenza of Cardinal Bishop Niccolò Ridolfi. |
1543 |
|
| Palladio
visits Rome for the second time, from September until February
of following year, accompanied by Giangiorgio Trissino. |
||
| Palladio
begins designing Palazzo da Porto Festa. |
c1545 |
![]() Palazzo da Porto Festa (detail) |
| Palladio and Giovanni da Porlezza of the Pedemuro workshop submit a proposal forthe Basilica loggia project. Palladio visits Rome for the third time, from March until July of following year, accompanied by Giangiorgio Trissino. While there he may have designed the ciborium in the church of Santo Spirito in Sassia. |
1546 |
Leon Battista Alberti, Ten books on architecture, 1st Italian ed. (Venice). |
| Upon
Giulio Romano's death, Palladio assumes supervision of the construction
of Palazzo Thiene, which was begun in 1542, and modifies some of Romano's design for it; construction is suspended before completion. |
||
Palladio
travels to Albano, Tivoli and Palestrina. |
1547 |
|
Palladio
designs Villa Caldogno. |
c1548 |
|
| Palladio
designs Villa Saraceno in Finale and Villa Poiana
in Poiana Maggiore. |
1548-1549 |
|
| Palladio
is commissioned to construct the loggias of Vicenza's Palazzo
della Ragione, known as the Basilica. |
1549 |
|
| Palladio
visits Rome for the fourth time, possibly to advise on St. Peter's
Basilica. He probably views Sangallo the Younger's recent giant model of it. |
||
Palladio
designs a bridge spanning the Cismon River at Bassano
del Grappa. |
1550 |
![]() Bridge over the Cismon River, Bassano del Grappa (reproduction) |
| |
John Shute travels to Italy, upon commission by the Duke of Cumberland, to research architecture. |
|
| |
Giangiorgio Trissino dies. | |
| Palladio
begins designing Villa Cornaro in Piombino Dese (his
second villa for a Venetian patrician), Villa Pisani in Montagnana,
Palazzo Chiericati in Vicenza, and Palazzo della Torre
in Verona. |
1551 |
|
| Palladio unsuccessfully seeks appointment as proto, chief architect, of the Salt Magistracy in Venice. |
1554 |
|
Palladio
visits Rome for the fifth time, accompanied by [Pirro?] Ligorio
and Daniele Barbaro. He probably writes his two guidebooks on
this trip, L’antichità
di Roma between February and July and Descrizione
delle chiese di Roma thereafter. |
||
Palladio
participates in first Rialto Bridge project. |
||
![]() |
Pietro Cateneo of Siena, I quattro primi libri d architettura (Venice) | |
| Palladio
designs Villa Mocenigo at Dolo and Villa Chiericati
at Vancimuglio (his first villa with a 'Greek temple-front'
motif) . |
![]() Villa Chiericati, Vancimuglio |
|
| Anton
Francesco Doni in his Seconda
Libraria mentions that Palladio has drafted an architectural
treatise: 'The book is untitled, but from what one can learn
from it, [it] could be called 'the norms of true architecture.' |
1555 |
|
| Palladio submits a model for a stairway at the Doge's Palace in Venice. |
||
Palladio
and others submit plans for replacing the Rialto Bridge. |
||
Palladio
designs Villa Badoer in Fratta Polesina. |
![]() Villa Badoer, Fratta Polesine |
|
Palladio
designs Palazzo Antonini in Udine. |
c1555 |
|
Palladio
designs the Arco Bollani, an arched gateway in Udine. |
1556 |
![]() Arco Bollani, Udine |
| Palladio joins in founding the Accademia Olimpico in Vicenza. |
||
| Daniele Barbaro confirms Doni's description of Palladio's text and adds that Palladio has included drawings and comments on the structures he had planned and built. |
||
Palladio
supplies illustrations for Daniele
Barbaro's Italian language edition of Vitruvius (and the
Latin edition in the following year). |
![]() |
|
| Giorgio Vasari
probably views Palladio's original manuscript during his visit
to Venice. He uses it freely in writing Palladio's profile in
his Lives of the Most Excellent Painters, Sculptors and Architect. |
||
| Palladio
designs Villa Barbaro in Maser, incorporating remnants
of an earlier structure, and Villa Repeta in Campiglia.
|
![]() Villa Barbaro, Maser |
|
| Palladio designs Villa Foscari (La Malcontenta) on the Brenta and Villa Zen in Cessalto. |
1558 |
![]() Villa Foscari (La Malcontenta) |
Palladio
designs a façade for the Church of San Pietro
in Castello, the patriarchal cathedral of Venice. |
||
| Palladio receives his first commission for a work in Venice: completion of the refectory for the Benedictine monastery of San Giorgio Maggiore. |
1560 |
|
Palladio
designs Villa Emo in Fanzolo. |
![]() Villa Emo, Fanzolo |
|
Palladio
designs a façade for Palazzo Schio in the Ponte
Pusterla section of Vicenza. |
||
| Palladio designs the convent of Santa Maria della Carità in Venice Palladio designs the first of his three temporary theaters, with others following in 1562 and 1565. |
1561 |
|
|
1562 |
Giacomo Barozzi Vignola, La regola delli cinque ordini dell' architettura (Rome). |
| Palladio
designs a façade for church of San Francesco della
Vigna in Venice. |
||
| Palladio
designs Villa Valmarana at Lisiera. |
1563 |
|
![]() |
John Shute, First & chief groundes of architecture (London). | |
| Palladio submits unsuccessful design for second Rialto Bridge competition in Venice. |
1565 |
|
| Palladio
designs the rebuilding of the church of Santa Lucia in
Venice. |
||
| Palladio
designs the church of San Giorgio Maggiore in Venice. |
![]() |
|
| Palladio
designs Villa Sarego at Santa Sofia. |
||
| Palladio
designs Palazzo Valmarana in Vicenza. |
||
| Palladio
travels to Turin at the invitation of Emanuele Philiberto,
Duke of Savoy, who had moved his capital there four years earlier
and launched a series of building projects. |
1566 |
|
| Palladio
designs Villa Almerigo [La Rotonda] near Vicenza. |
c1566 |
![]() Villa Almerigo (La Rotonda), Vicenza |
| Palladio
critiques a model created by Lodovico Beretta for a proposed
new cathedral in Brescia. |
1567 |
Pietro Cateneo, L'architettura di Pietro Cataneo Senese (Venice). |
| Palladio
designs Palazzo Barbaran da Porto in Vicenza. |
1570 |
|
At the
request of Martino Bassi, Palladio and others comment on a design
controversy involving Milan Cathedral. |
||
| Palladio publishes I quattro libri dell'architettura [Four Books on Architecture] (Venice: Domenico de' Franceschi). |
![]() |
|
| Later
Italian editions of I quattro libri published in 1581,
1601, 1616, 1642, 1711 (with L'Antichità di Roma),
1740-48 (G. Fossati ed. with Muttoni annotations), 1768 (reprinted
1780), 1769 (Fossati-Muttoni), 1791 (Books 1-3 only), 1800 (Fossati-
Muttoni), 1945 (reprinted 1951, 1968, 1976, 1980), 1979, 1980
and 1992. |
||
| Palladio
moves to Venice. |
||
| Palladio designs Loggia del Capitaniato in Vicenza. |
1571 |
![]() Loggia del Capitaniato, Vicenza |
Palladio
designs Palazzo Porto Breganze in Vicenza. |
||
| Palladio's sons Leonida and Orazio die. Palladio unsuccessively proposes a design for the façade of the church of San Petronio in Bologna. |
1572 |
|
| El Greco paints (probably) Palladio's portrait, now in Royal Museum in Copenhagen. (Another apparent portrait of Palladio, attributed to Magagno, is now owned by the Valmarana family). | ||
| Silvio Belli, Treatise on proportion (Venice). | ||
| Palladio
designs a temporary triumphal arch and loggia for the
Lido to welcome Henry III, king of France, on his state visit
to Venice. |
1574 |
|
| Palladio
publishes I commentari di C. Giulio Cesare (Venice). |
1574-1575 |
|
| 1575 |
The second great plague epidemic attacks Venice. | |
| c1575 |
Alessandro Farnese transcribes a series of drawings from Palladio's I quattro libri. | |
| Palladio plans church of Il Redentore [the Redeemer] in Venice. |
1576 |
![]() Il Redentore, Venice |
Palladio
(prob.) designs Valmarana Chapel in the Church of Santa
Corona. |
||
| Palladio
consults on restoring/rebuilding the Doge's Palace in Venice
after the fire in 1577. |
1577 |
|
| Palladio proposes additional designs for the façade of San Petronio in Bologna. Palladio prepares 43 illustrations for a new edition of Polybius' History. Palladio addresses letter of dedicaton to Francesco de' Medici, Grand Duke of Tuscany, but the book is never published. |
1578 |
|
| Palladio designs the Teatro Olimpico in Vicenza. |
1580 |
.![]() Teatro Olimpico, Vicenza |
Palladio
designs the Tempietto for Villa Barbaro at Maser. |
||
Palladio
dies at Maser August 19. |
![]() Giuseppe de Fabris: Funeral monument of Andrea Palladio (1845) |
|
| Palladio's
surviving sons, Marc'Antonio and Silla, work to complete an
expanded edition of I quattro libri dell'architettura with
a fifth part which Palladio himself had begun, but the project
is never finished. |
1581 |
|
Bibliography |
||
© 2009, 2012 Center
for Palladian Studies in America, Inc.
C. I. G.